ADULT EVENTS & PROGRAMS

Welcome to Stanhope. A safe neighborhood. A place for families. William Wooler is a family man, on the surface. But he's been having an affair, an affair that ended horribly this afternoon at a motel up the road. So when he returns to his house, devastated and angry, to find his difficult nine-year-old daughter, Avery, unexpectedly home from school, William loses his temper.  Hours later, Avery's family declares her missing.  Suddenly Stanhope doesn't feel so safe. And William isn't the only one on his street who's hiding a lie. As witnesses come forward with information that may or may not be true, Avery's neighbors become increasingly unhinged.  Who took Avery Wooler? Nothing will prepare you for the truth.

Based on serial killer Ted Bundy. The book opens on a Saturday night in 1978, hours before a soon-to-be-infamous murderer descends upon a Florida sorority house with deadly results. The lives of those who survive, including sorority president and key witness, Pamela Schumacher, are forever changed. Across the country, Tina Cannon is convinced her missing friend was targeted by the man papers refer to as the All-American Sex Killer--and that he's struck again. Determined to find justice, the two join forces as their search for answers leads to a final, shocking confrontation.

This heart-stopping novel, set in Post WWII Britain in 1947, follows the coming of age and maturity of former wartime operative Elinor White--veteran of two wars, trained killer, protective of her anonymity--when she is drawn back into the world of menace she has been desperate to leave behind. A reluctant ex-spy with demons of her own, Elinor finds herself facing down one of the most dangerous organized crime gangs in London, ultimately exposing corruption from Scotland Yard to the highest levels of government. The private, quiet "Miss White" as Elinor is known, lives in a village in rural Kent, England, and to her fellow villagers seems something of an enigma. Well she might, as Elinor occupies a "grace and favor" property, a rare privilege offered to faithful servants of the Crown for services to the nation. But the residents of Shacklehurst have no way of knowing how dangerous Elinor's war work had been, or that their mysterious neighbor is haunted by her past. It will take Susie, the child of a young farmworker, Jim Mackie and his wife, Rose, to break through Miss White's icy demeanor--but Jim has something in common with Elinor. He, too, is desperate to escape his past. When the powerful Mackie crime family demands a return of their prodigal son for an important job, Elinor assumes the task of protecting her neighbors, especially the bright-eyed Susie. Yet in her quest to uncover the truth behind the family's pursuit of Jim, Elinor unwittingly sets out on a treacherous path--yet it is one that leads to her freedom.

Edward Fosca is a murderer. Of this Mariana is certain. But Fosca is untouchable. A handsome and charismatic Greek tragedy professor at Cambridge University, Fosca is adored by staff and students alike--particularly by the members of a secret society of female students known as The Maidens. Mariana Andros is a brilliant but troubled group therapist who becomes fixated on The Maidens when one member, a friend of Mariana's niece Zoe, is found murdered in Cambridge. Mariana, who was once herself a student at the university, quickly suspects that behind the idyllic beauty of the spires and turrets, and beneath the ancient traditions, lies something sinister. And she becomes convinced that, despite his alibi, Edward Fosca is guilty of the murder. But why would the professor target one of his students? And why does he keep returning to the rites of Persephone, the maiden, and her journey to the underworld? When another body is found, Mariana's obsession with proving Fosca's guilt spirals out of control, threatening to destroy her credibility as well as her closest relationships. But Mariana is determined to stop this killer, even if it costs her everything--including her own life.

Ola Olajide, a celebrated journalist at Womxxxn magazine, is set to marry the love of her life in one month's time. Young, beautiful, and successful--she and her fiancé Michael are considered the "couple goals" of their social network and seem to have it all. That is, until one morning when they both wake up to the same message: "Oh my god, have you seen The List?"; It began as a crowdsourced collection of names and somehow morphed into an anonymous account posting allegations on social media. Ola would usually be the first to support such a list--she'd retweet it, call for the men to be fired, write article after article. Except this time, Michael's name is on it.

Easy Rawlins has started a new detective agency with two trusted partners and has a diamond ring in his pocket for his longtime girlfriend Bonnie Shay. Finally, Easy's life seems to be heading towards something that looks like normalcy, but, inevitably, a case gets in the way. Easy's friend Mouse calls in a favor--he wants Easy to meet with Rufus Tyler, an aging convict whom everyone calls Charcoal Joe. Joe's friend's son, Seymour, has been charged with the murder of two white men. Joe is convinced the young man is innocent and wants Easy to prove it no matter what the cost. But seeing as how Seymour was found standing over the dead bodies, and considering the racially charged nature of the crime, that will surely prove to be a tall order.

When it comes to law and order, East Texas plays by its own rules -- a fact that Darren Mathews, a black Texas Ranger, knows all too well. Deeply ambivalent about growing up black in the lone star state, he was the first in his family to get as far away from Texas as he could. Until duty called him home. When his allegiance to his roots puts his job in jeopardy, he travels up Highway 59 to the small town of Lark, where two murders -- a black lawyer from Chicago and a local white woman -- have stirred up a hornet's nest of resentment. Darren must solve the crimes -- and save himself in the process -- before Lark's long-simmering racial fault lines erupt. From a writer and producer of the Emmy winning Fox TV show Empire, Bluebird, Bluebird is a rural noir suffused with the unique music, color, and nuance of East Texas.

In 1930s London, celebrity psychiatrist Anselm Rees is discovered dead in his locked study, and there seems to be no way that a killer could have escaped unseen. There are no clues, no witnesses, and no evidence of the murder weapon. Stumped by the confounding scene, the Scotland Yard detective on the case calls on retired stage magician-turned-part-time sleuth Joseph Spector. For who better to make sense of the impossible than one who traffics in illusions? Spector has a knack for explaining the inexplicable, but even he finds that there is more to this mystery than meets the eye. As he and the Inspector interview the colorful cast of suspects among the psychiatrist's patients and household, they uncover no shortage of dark secrets--or motives for murder. When the investigation dovetails into that of an apparently-impossible theft, the detectives consider the possibility that the two transgressions are related. And when a second murder occurs, this time in an impenetrable elevator, they realize that the crime wave will become even more deadly unless they can catch the culprit soon.

A businessman snatched from an Upper East Side street in broad daylight. A miniature hangman's noose left at the scene. A nine-year-old girl, the only witness to the crime. With a crime scene this puzzling, forensic expertise of the highest order is absolutely essential. Lincoln Rhyme and Amelia Sachs are called in to investigate. Soon the case takes a stranger turn: a recording surfaces of the victim being slowly hanged, his desperate gasps the backdrop to an eerie piece of music. The video is marked as the work of The Composer... Despite their best efforts, the suspect gets away. So when a similar kidnapping occurs on a dusty road outside Naples, Italy, Rhyme and Sachs don't hesitate to rejoin the hunt. But the search is now a complex case of international cooperation--and not all those involved may be who they seem. Sachs and Rhyme find themselves playing a dangerous game, with lives all across the globe hanging in the balance.

Christopher John Francis Boone knows all the countries of the world and their capitals and every prime number up to 7,057. He relates well to animals but has no understanding of human emotions. He cannot stand to be touched. And he detests the color yellow. This improbable story of Christopher's quest to investigate the suspicious death of a neighborhood dog makes for one of the most captivating, unusual, and widely heralded novels in recent years.

Two missing girls. Two brutal murders. All connected to one farmhouse. Who is to blame? When pretty and popular teenagers Piper Hadley and Tash McBain disappear one Sunday morning, the investigation captivates a nation but the girls are never found. Three years later, during the worst blizzard in a century, a husband and wife are brutally killed in the farmhouse where Tash McBain once lived. A suspect is in custody, a troubled young man who can hear voices and claims that he saw a girl that night being chased by a snowman. Convinced that Piper or Tash might still be alive, clinical psychologist Joe O'Loughlin and ex-cop Vincent Ruiz, persuade the police to re-open the investigation. But they are racing against time to save the girls from someone with an evil, calculating and twisted mind . . .

Vera Wong is a lonely little old lady--ah, lady of a certain age--who lives above her forgotten tea shop in the middle of San Francisco's Chinatown. Despite living alone, Vera is not needy, oh no. She likes nothing more than sipping on a good cup of Wulong and doing some healthy detective work on the Internet about what her Gen-Z son is up to. Then one morning, Vera trudges downstairs to find a curious thing--a dead man in the middle of her tea shop. In his outstretched hand, a flash drive. Vera doesn't know what comes over her, but after calling the cops like any good citizen would, she sort of . . . swipes the flash drive from the body and tucks it safely into the pocket of her apron. Why? Because Vera is sure she would do a better job than the police possibly could, because nobody sniffs out a wrongdoing quite like a suspicious Chinese mother with time on her hands. Vera knows the killer will be back for the flash drive; all she has to do is watch the increasing number of customers at her shop and figure out which one among them is the killer. What Vera does not expect is to form friendships with her customers and start to care for each and every one of them. As a protective mother hen, will she end up having to give one of her newfound chicks to the police?

Tom Hawkins refuses to follow in his father's footsteps and become a country parson. His preference is for wine, women, and cards. But there's honor there too, and Tom won't pull family strings to get himself out of debt--not even when faced with London's notorious debtors' prison. The Marshalsea Gaol is a world of its own, with simple rules: Those with family or friends who can lend them a little money may survive in relative comfort. Those with none will starve in squalor and disease. And those who try to escape will suffer a gruesome fate at the hands of its ruthless governor and his cronies. The trouble is that Tom has never been good at following rules, even simple ones. And the recent grisly murder of a debtor, Captain Roberts, has brought further terror to the gaol. While the captain's beautiful widow cries for justice, the finger of suspicion points only one way: do the sly, enigmatic figure of Samuel Fleet. Some call Fleet a devil, a man to avoid at all costs. But Tom Hawkins is sharing his cell. Soon Tom's choice is clear: get to the truth of the murder--or be the next to die.

A family feud over a dying relative's inheritance leads to murder aboard the famous train--the Flying Scotsman--in the latest mystery in Carola Dunn's beloved Daisy Dalrymple series. In the spring of 1923, the Honourable Daisy Dalrymple boards the Flying Scotsman, the famous London-to-Edinburgh train. On board, she meets an old schoolmate, Anne Breton, along with all her relatives. They are all en route to the deathbed of the family scion and notorious miser, Alistair McGowan. As it stands, Alistair's will leaves the entire family fortune to his brother Albert, while each member of the family is hoping to convince the dying Alistair to change his will in their favor. Daisy, meanwhile, has her hands full when young Belinda Fletcher, the daughter of Detective Chief Inspector Alec Fletcher of Scotland Yard, stows away aboard the train. Daisy barely has time to take notice of the intricate family feud unfolding around her until the presumptive heir, Albert McGowan, is found dead--murdered--on the train. Now Daisy is surrounded by an entire family of suspects and becomes, once again, embroiled in an investigation in Murder on the Flying Scotsman.

London, 1894. When it appears that the notorious Jack the Ripper has returned to London, Chief Constable Melville Macnaghten recruits his neighbor Oscar Wilde to help him solve the case, hoping the author's unparalleled knowledge of the London underworld might be exactly what the police need to finally capture the serial killer. In an account narrated by Wilde's close friend, fellow author Arthur Conan Doyle, Wilde gathers together suspects from the theaters, brothels, asylums, and traveling circuses of East London in the hopes of finding the true identity of Jack the Ripper before he can strike again. But even as the pair of amateur detectives venture further and further into the tangled web of criminals, performers, and prostitutes, new killings come to light that bring the investigation right back to Wilde's own neighborhood. Following Wilde and Doyle's search for the Ripper, Gyles Brandreth's Oscar Wilde and the Return of Jack the Ripper combines a gripping detective story with a witty portrait of two of the most brilliant and charming literary minds of Victorian London.

Mistress Rosamond Jaffrey is recruited by Queen Elizabeth I's spymaster to be lady-in-waiting to Lady Mary, a cousin of the queen who is being courted by Russia's Ivan the Terrible. However, there are some nobles at court who will do anything they can to thwart such an alliance and Rosamond must put herself in mortal peril to protect her ward . . .

When the son-in-law of one of the city's wealthiest shipbuilders is found floating in the River Clyde with his throat cut, it falls to Inspector Jimmy Dreghorn to lead the murder case-despite sharing a troubled history with the victim's widow. From the flying fists and flashing blades of Glasgow's gangland underworld to the backstabbing upper echelons of government and big business, Dreghorn and his partner, "Bonnie" Archie McDaid, will have to dig deep into Glasgow society to find out who wanted the man dead and why. All the while, a sadistic murderer stalks the post-war city, leaving a trail of dead bodies in their wake. As the case deepens, Dreghorn realizes that the answers may lie in his old ties with the victim's family--and the horrors he saw in the Great War.