ADULT EVENTS & PROGRAMS

They've spent their lives as assassins in a clandestine international organization, but at 60 years old, four women find they can't just retire - it's kill or be killed in this book by New York Times bestselling and Edgar Award-nominated author Deanna Raybourn. Billie, Mary Alice, Helen, and Natalie have worked for the Museum, an elite network of assassins, for forty years when they are targeted by one of their own. Now to get out alive they have to turn against their own organization. They're about to teach the Board what it really means to be a woman - and a killer - of a certain age.

Jacob Finch Bonner was once a promising young novelist with a respectably published first book. Today, he's teaching in a third-rate MFA program and struggling to maintain what's left of his self-respect; he hasn't written--let alone published--anything decent in years. When Evan Parker, his most arrogant student, announces he doesn't need Jake's help because the plot of his book in progress is a sure thing, Jake is prepared to dismiss the boast as typical amateur narcissism. But then . . . he hears the plot. Jake returns to the downward trajectory of his own career and braces himself for the supernova publication of Evan Parker's first novel: but it never comes. When he discovers that his former student has died, presumably without ever completing his book, Jake does what any self-respecting writer would do with a story like that--a story that absolutely needs to be told. In a few short years, all of Evan Parker's predictions have come true, but Jake is the author enjoying the wave. He is wealthy, famous, praised and read all over the world. But at the height of his glorious new life, an e-mail arrives, the first salvo in a terrifying, anonymous campaign: You are a thief, it says. As Jake struggles to understand his antagonist and hide the truth from his readers and his publishers, he begins to learn more about his late student, and what he discovers both amazes and terrifies him. Who was Evan Parker, and how did he get the idea for his "sure thing" of a novel? What is the real story behind the plot, and who stole it from whom?

Before there was Frankenstein, a young Mary Shelley, her stepsister Jane "Claire" Clairmont, and poet Percy Bysshe Shelley are drawn into a shocking murder investigation in this deliciously captivating new historical mystery revolving around the real-life trio who would later scandalize 19th century England even as they transformed the literary world. London, 1814- Mary Godwin and her stepsister Jane Clairmont, both sixteen, possess quick minds bolstered by an unconventional upbringing, and have little regard for the rules that other young ladies follow. Mary, whose mother famously advocated for women's rights, rejects the two paths that seem open to her-that of an assistant in her father's bookshop, or an ordinary wife. Though quieter and more reserved than the boisterous Jane, Mary's imagination is keen, and she longs for real-world adventures. One evening, an opportunity arrives in the form of a dinner guest, Percy Bysshe Shelley. At twenty-one, Shelley is already a renowned poet and radical. Mary finds their visitor handsome and compelling, but it is later that evening, after the party has broken up, that events take a truly intriguing turn. When Mary comes downstairs in search of a book, she finds instead a man face down on the floor-with a knife in his back. The dead man, it seems, was a former classmate of Shelley's, and had lately become a personal and professional rival. What was he doing in the Godwins' home? Mary, Jane, and Shelley are all drawn to learn the truth behind the tragedy, especially as each discovery seems to hint at a tangled web that includes many in Shelley's closest circle. But as the attraction between Mary and the married poet intensifies, it sparks a rivalry between the sisters, even as it kindles the creative fire within . . .

The thrilling story of a brazen, uncatchable jewel thief who roamed the homes of Dallas high society--and a window into the dark secrets lurking beneath the surface of the Swinging Sixties. As a string of high profile jewel thefts went unsolved during the Swinging Sixties, the press dubbed the elusive thief "the King of Diamonds" because he eluded police and the FBI for more than a decade. Like Cary Grant in "To Catch a Thief," the King was so bold that he tip-toed into the homes of millionaires while they were watching television, or hosting parties. He hid in their closets. And dared to smoke a cigarette while they were sleeping not far away. Rena Pederson, then a young reporter withUPI, started following the elusive thief while she managed the night desk. With gymnastic skill, this thief climbed trees or crawled across rooftops to get into sprawling mansions. He took jewels from heiresses, oil kings, corporate CEOs. These were not just some of the richest people in Texas; they were some of the richest people of their time. Scotland Yard and Interpol were on the look-out. But the thief was never caught and the jewels never recovered. To follow the tracks of the thief, Rena has interviewed more than two hundred people, from veteran cops to strippers. She went to pawn shops, Las Vegas casinos, and a Mafia hangout--and discovered that beneath the glittering façade of Dallas debutante parties was a world of sex trafficking, illegal gambling, and political graft. When one of the leading suspects was found dead in highly unusual circumstances, the story darkened. High society crashed head-first into Mickey Spillane. The odd psychological aspects of the The King of Diamonds give us different kind of crime story. Detectives were stumped: Why did the thief break into houses when his targets were inside, increasing the risk of being captured? Why did he hide in their closets? Many times, he was so close he could hear their breathing as they slept. As one socialite put it, "It was a very peculiar business."

Meet Isabel "Izzy" Spellman, private investigator. This twenty-eight-year-old may have a checkered past littered with romantic mistakes, excessive drinking, and creative vandalism; she may be addicted to Get Smart reruns and prefer entering homes through windows rather than doors -- but the upshot is she's good at her job as a licensed private investigator with her family's firm, Spellman Investigations. Invading people's privacy comes naturally to Izzy. In fact, it comes naturally to all the Spellmans. If only they could leave their work at the office. To be a Spellman is to snoop on a Spellman; tail a Spellman; dig up dirt on, blackmail, and wiretap a Spellman. Part Nancy Drew, part Dirty Harry, Izzy walks an indistinguishable line between Spellman family member and Spellman employee. Duties include: completing assignments from the bosses, aka Mom and Dad (preferably without scrutiny); appeasing her chronically perfect lawyer brother (often under duress); setting an example for her fourteen-year-old sister, Rae (who's become addicted to "recreational surveillance"); and tracking down her uncle (who randomly disappears on benders dubbed "Lost Weekends"). But when Izzy's parents hire Rae to follow her (for the purpose of ascertaining the identity of Izzy's new boyfriend), Izzy snaps and decides that the only way she will ever be normal is if she gets out of the family business. But there's a hitch: she must take one last job before they'll let her go -- a fifteen-year-old, ice-cold missing person case. She accepts, only to experience a disappearance far closer to home, which becomes the most important case of her life. The Spellman Files is the first novel in a winning and hilarious new series featuring the Spellman family in all its lovable chaos.

Since Gran died a few months ago, twenty-five-year-old Molly has been navigating life's complexities all by herself. No matter--she throws herself with gusto into her work as a hotel maid. Her unique character, along with her obsessive love of cleaning and proper etiquette, make her an ideal fit for the job. She delights in donning her crisp uniform each morning, stocking her cart with miniature soaps and bottles, and returning guest rooms at the Regency Grand Hotel to a state of perfection. But Molly's orderly life is upended the day she enters the suite of the infamous and wealthy Charles Black, only to find it in a state of disarray and Mr. Black himself dead in his bed. Before she knows what's happening, Molly's unusual demeanor has the police targeting her as their lead suspect. She quickly finds herself caught in a web of deception, one she has no idea how to untangle. Fortunately for Molly, friends she never knew she had unite with her in a search for clues to what really happened to Mr. Black--but will they be able to find the real killer before it's too late?